إجمالي مرات مشاهدة الصفحة

السبت، 1 مارس 2008

Poems of Songs and Elegies

Poems of Songs and Elegies
These poems were written in the years between 1986 and 1996.
Good morning the thresh holds

A Picture in the Mirror
After a long night, Who lit fire in our chests And drove us to clear sad fog? Who caused the mess And why should we immigrate And crave for our land And frorn whorn do we seek protection In the desert Who destroys Fruits that corne and go But the sadness Which is relaxing here On an old bier And on our chest.

Blaming Mr. (X)
You were not guarding the roorns As you pretend You did not have a desired slogan Or a motto Which saves you But You were a minaret In a desert.
A Blame.. Once Again
You know that rny hand Got indulged in absence You know that the villages of the North Are still refining their nails You know that Danube’s borders And that purity of intentions Ail were But a paralyzed painting and a door, Oh my friend! you know That we were but dust.. Dust, So why Do you buy the ape From the court of “liberty” And laugh? Is it because you became a Messiah Defending the deeds of your own hands? You know My friend That what ties us Was a love So beautiful That grew And Died.

A Face in the Throng
As if I am leading to a sad house, As if I am a night shadowed by its guils And guarded by moaning, As if I am walking towards water No trees and no leaves And no fruits and figs, As if I Lost my past “Oh seasons ofpride” Or got hunger when hunger died, As if I saw my face In the streets and wreckage, And saw terrors, rai and a crisis coming And saw plates Fruits and fig And once your face shows From within my holes Smiling like fog My voice evaporates And from on my eyes Darkness clears.

1988

An Elegy to Small Things
(To the spirit of an old acquaintance)

As if you poured tea in the glass And fled To a desired insomnia, As if you blazed the fuel’s fire, And walked on rock Tracing for a stone or an inanimate, As if you switched off your stony lantern And sat down seDing taxes And deposed your friends when you threw You threw nothing As if you kindled your first ember When you put off your shoes And descended the way you like As if you sunk in our blood And abridged distance Once this affection feil out of you In dry stone or dust As if you made me choose To be or not to be To hope or halt To be crushed under your shoes Or betray. You who is bathing quick You the lost one Sleep consoled May be you’ll regain your eloquence And your senses Or You may be lost.

1994

The poem and his transformations

Trembling
How could I Order ber papers In tbe dark, How could I Reveal its secrets, And sounds of exiles Are stricken deep between us, How could I Fix ber feet While she js sleeping Sleeping Sleepy. E se ap e Perhaps... A sad evening chooses me, Perhaps A round stone Will trace my hiding place Perhaps, I will disappear Like a minaret In the desert Perhaps... My letters would fetch me In cracks Or in tbe wall An illusion 0f tbe two of us On whose illusive body Air relaxes, In whose eyes Illusion grows And Doesn’t Doesn’t Look back.

Pouring Out
Ram, Flows on frost And li]ies Die Ram, Fails on predecessors’ chains. Oh river of slaves, And mother’s pain Which is filiing the rooms The buts And the obstinate night. Ram fails on frost, And shakes my pens My illusions And my papers, I am travelling in a nation That was sold by the Hexes and Bedouins I am travelling In a nation That chews cactus And obstinate sadness I am travelling in my insanity To a far abode.

Translated byJaouad Radouani

Introduction To

Introduction To
Songs and Elegies followed by
Cities ofAsh Poetry of Abdurrahman Bou Ali
Translated byJaouad Radouani

This translation is an attempt. It is a modest attempt to translate Dr. Abderahman Bou Ali’s verse from Ara bic to English. As eveybodj knows, it is really impossible to translate the exact thoughts of this talented poet, jet I ty and endeavor to find simple words and structures in English that could honest’y refiect, even with relative exactitude, the meanings of unes of verse, which the realpoet wrote in orzginal Arabic.
Not being a poet, but an amateur transiator, I superficially translate the linguistic form and the suiface meaning of each text. Henceforth, this translation could be considered a mere linguistic transformation of texts written in Arabic into texts written in English. Not willing to contribute to meaning translation deep/y, I satisfy mjself with a verbatim-like translation that targets mords and structures rather than meaning and ideolqgy. For such reason, I would like to caution the reader of this translation to, when reading the texts, not look for what the transiator said but dive in the text and search for what the real author could have meant when his muse was at work inspiring him.
0f course the poet is the only one who could better explain his work. But, the text is open to evey reading and explanation. Henceforth, it is advisable to those who read this translation to remember that the English version of Dr. Bou Ali’s poems is a mere image of the orzginal Arabic version, which is written in pefect, expressive and ealous language.
Translations are never perfect, hence this attempt may have betrayed the real text in many occasions. But still, this translation couidgive more than it takes. Besides, thefollowing translation would fulfihi what it aspires to if, and only if, the reader of the texts reads them with the intention to complete missing images, repair distortions and contribute through his own experience of lif to the making ofa full text. I should add that, on’y then one could discover what a poet such Dr. Bou Ali could tel at a moment of transcendentalism.
Dr. Bou A1i, as the reader wihl discover, writes about the nation, identiy, pohitics, poety, the colonier, the colonied, the dead, the future, life, fear, freedom, destinj, etc. His poetic spirit is free; he roamsfields of dfferent disczbhines contemplating life and refiecting upon various themes. His chosen topics are not consistent, but rich and dfferent. The banguage he writes with is vey abridged; it sums up whobe b/ experiences into metaphoric bines that are condensed with meaning.
The hast word. When reading Bou A1i, the quabiy of the text acts its impact on the reader. Simpbiciy of bothform and content take him deep into the vivid images that are borrowedfrom daily life; and because of the multidimensionabiy of each text, one woubd neyer tire of reading and re-reading Bou Ali’s golden bines of verse, which sparkbe of wisdom and truc experience of life. I speak here of an experience I mjsehf have gone through.

Jaouad Radouani Oujda: 26-06-2006

Dernières paroles

Dernières paroles
Abderrahmane BOUALI

1
Youssef Al Khal

Hier, je me suis souvenu de votre beau jardin,
Je me suis souvenu de ses feuilles et du chant des pigeons
Et du visage de mon grand-père.
Hier je me suis souvenu de la distance entre le son d'une voix et la cheminée de ma mère et notre beau réveil.

Hier, je me suis souvenu des mouchoirs sur un marbre éclairé
Et des soucoupes entre deux ciels:
Entre la mort des aimés et la belle pluie
Hier je me suis souvenu des lampes de ceux qui sont partis,

Je me suis souvenu de votre noblesse
Je me suis souvenu d'un fils mince entre deux herbes
Et d'un fil qui déchire ce voile
Je me suis souvenu du chanteur
Et de vos amis égarés
Et j'étais le premier qui s'empresse
Au sein de ma mère.

2
Khalil Haoui

Te voilà trompé par le guide
Et sorti d'un nuage pour aller vers un autre
Tu présentes notre corps
Et tu appelles la mer une plaisanterie
Te voilà heureux
Pour ta mort sur les lettres
Et la mer agitée
Et la chêne détruit la montagne nouvelle
Et secoue dans la nuit
La mer de glaces
Et la paix, le Soufre, le Sel de Sodome
Construisent pour toi le cercueil incrusté de pierres
Te voilà paralysé
La nuit n'a pas allumé en toi le feu de la braise
Ou la braise du jour
Dans la grotte, après les glaces.
Te voilà vivant le soir
Et la nuit et les vagues, et la pluie heureuse
Et l'obscurité du bâtiment
Et la lumière de la cheminée.
Te voilà sortant de Sodome
Et Sodome enfant qui a fermé le buisson vaste
Sodome n'est pas un cimetière.

3
LORCA

Si je t'avais vu mes pieds ne se seraient pas reculé,
Ou ils n'auront pas caché mon visage.
Si je t'avais vu je n'aurais pas fait ces guerres que
Tu avais aimées
Si je t'avais vu avant ce dernier adieu
J'aurais été replié sur moi-même comme se replient les feuilles des arbres.
Si je t'avais connu avant ce matin heureux
Je t'aurais donné ma voix que j'aime
Son bel écho
Ou je t'aurais donné une nuit noire
Qui te cache des ennemis
Cependant je ne t'ai pas vu
Pour cela je me contente de lire vos poèmes
Et je me confie à leurs belles métaphores
Toi, poète Qormoti.


4
MARGE POUR JOSEPH

...Et je dors
Moi, qui se jette
Sur les routes
Et sur les points de lance des bédouins
L'ennui qui plane sur l'âme
Me dégoûte,
Faut-il entrer dans mes temps
D'un trou de la blessure
Ou d'une pierre dans le désert ?
Ou faut-il marcher sur le feu?
Et mes frères, vont-ils me chercher
Dans le puits
S'ils entendent ma voix dans le désert?
Vont-ils dire nous sommes revenus
Dans nos mains un habit et un sang et de l'encre?
Vont-ils dire nous avons oublié
De lui dire
Que son nom est Joseph
Que son début ressemble à sa fin:
Un voyage,
Une folie,
Une parole.
Alors je serais seul dans le puits
Seul, comme un sang
Comme un sabre
Comme si je n’étais qu'une montagne d'illusions
Pour cela qui va m'enseigner tous les noms
Qui va me parler ou me dire:
Oh Joseph!
Tu es donc:
Un corps
Une prière
Un désert